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Press Releases

TUBI LINES UP PLAYERS FOR ORIGINAL DOCUSERIES “DESTINATION WORLD CUP 2026” WITH WESTON McKENNIE MARC CUCURELLA, AND HARRY WILSON

March 18, 2026

Six-Part Original Docuseries Profiles the International Soccer Stars
as they Prepare for the World’s Greatest Sporting Event

SAN FRANCISCO, March 18, 2026 – Tubi (www.tubi.tv), Fox Corporation’s (NASDAQ: FOXA, FOX) ad-supported streaming service, today announced the featured players of its upcoming original docuseries, “DESTINATION WORLD CUP 2026.” International soccer stars Weston McKennie of host nation United States, Marc Cucurella of pre-tournament favorite Spain and Harry Wilson of Wales, a nation still in contention for a place in the tournament, will be profiled as they navigate their individual journeys to the world’s greatest sporting event. Their stories will capture the contrasting pressures of hosting on home soil, carrying championship expectations and battling to qualify on the global stage. The series will premiere exclusively on Tubi on Thursday, April 30th ahead of the FIFA World Cup 2026™ this summer with episodes launching weekly thereafter.

“DESTINATION WORLD CUP 2026” is an immersive six-episode series that pulls fans deep into the personal and professional worlds of McKennie, Cucurella and Wilson, as they enter a defining chapter of their lives. The series follows these standout players through the intensity of international duty, the weight of club expectations and the ongoing effort to stay grounded amid global scrutiny. Produced by 4.4.Forty Media and Headers & Volleys Entertainment, the series delivers a rare, all-access look at the personal stakes behind football’s biggest stage.

“Tubi continues to expand its programming at the intersection of sports and culture, where the game is just the beginning of the story,” said Adam Lewinson, Chief Content Officer at Tubi. “With “DESTINATION WORLD CUP 2026,” we’re bringing the fans together, regardless of which team they’re rooting for, to experience the intensity, ambition and humanity behind the players preparing for the world’s biggest stage. As the World Cup returns to North America for the first time in over 30 years, we’re excited to give viewers a front-row seat to this defining moment in global sport.”
A standout for the U.S. Men’s National Team (USMNT), McKennie has become a central figure in the squad’s resurgence on the global stage. McKennie is a powerhouse midfielder who launched his professional career immediately out of the FC Dallas Academy with top-flight experience in Germany’s Bundesliga and Italy’s Serie A. His box-to-box endurance, aerial ability and fearless style of play have made him a critical player in the USMNT’s recent international campaigns and preparation for FIFA World Cup 2026™.

A high-energy Spanish footballer known for his tenacious defending and attacking support as a left back, Cucurella represents Spain at the international level, where his work rate, tactical intelligence, and versatility make him a valuable asset on the back line. He is a European champion with the Spanish national team and a FIFA Club World Cup™ champion with Chelsea, earning selection as the best fullback of the tournament in both competitions. Cucurella began his professional career with FC Barcelona’s famed La Masia academy before rising through Spain’s La Liga and the English Premier League.

Wilson is a dynamic Welsh midfielder and key playmaker for the Wales national team. A product of Liverpool’s academy, Wilson has built a strong career across top clubs in the UK and a reputation for clutch performances. He continues to be a driving force in Wales midfield lineup helping lead Wales through multiple major tournaments and renowned for his ability to unlock defenses and deliver in high-pressure moments on the international stage.
Following the premiere on Tubi, FS1 will air the first five episodes with the finale scheduled to air on FOX.

From Thursday, June 11 through Sunday, July 19, FOX Sports will be America’s official English-language home for FIFA World Cup 2026™ presenting all 104 tournament matches live across FOX (70) and FS1 (34) with every match streaming live and on-demand within FOX One’s new, innovative World Cup viewing experience and the FOX Sports App.

The biggest-ever edition of the global showcase, FIFA World Cup 2026™ marks FOX Sports’ sixth all-time presentation of the celebrated tournament following its award-winning and record-breaking coverage for the Men’s tournaments in 2022 (Qatar) and 2018 (Russia) and the Women’s tournaments in 2023 (Australia & New Zealand), 2019 (France) and its inaugural presentation in 2015 (Canada). The network has won multiple prestigious awards over its 10 years presenting FIFA World Cup™ coverage, including eight Sports Emmy Award wins and numerous nominations.

About Tubi
Boldly built for fandom, Tubi is a free on demand streaming service that entertains over 100 million monthly active users. Tubi offers the world’s largest collection of Hollywood movies and TV shows, thousands of creator-led stories and hundreds of Tubi Originals made for the most passionate fans. Headquartered in San Francisco and founded in 2014, Tubi is part of Tubi Media Group, a division of Fox Corporation.

About 4.4.Forty Media
4.4.Forty Media is a content production company uniquely positioned to amplify powerful and culture-defining human stories across sports, music, and entertainment. With the ability to leverage relationships and resources from UTA, KLUTCH Sports Group, and ROOF, our mission is to bring together athletes, musicians, entertainers, and creators to craft compelling narratives that resonate across all platforms. Operating at the intersection of culture and storytelling, we unlock opportunities in a rapidly evolving media landscape.

About Headers & Volleys Entertainment
Headers & Volleys Entertainment is an entertainment studio creating world class documentaries and unscripted formats for a global audience. Founded by Nick Emmerson, who worked in elite sport before leading some of the most renowned TV studios in the world, H&VE is a creative force with a pedigree for transforming ideas into unforgettable stories and experiences.

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Press Releases

TUBI BRINGS ITS ANNUAL INSIGHTS REPORT TO CANADA FOR THE FIRST TIME, HELPING MARKETERS NAVIGATE THE EVOLVING STREAMING LANDSCAPE

March 17, 2026

New Data from Tubi and Harris Poll Highlights How Streaming is Shaping Community, Fandom and Purchase Behaviour Among Canadians

Toronto, Mar. 17, 2026 — Tubi (www.tubi.tv), Fox Corporation’s (NASDAQ: FOXA, FOX) ad-supported streaming service, today released its annual cultural insights report “The Stream” for the first time in Canada, examining how streaming entertainment is influencing consumer behavior. Tubi, one of the largest and fastest growing free, ad-supported streaming services in Canada, partnered with The Harris Poll to conduct research providing a deep dive into the streaming behaviors of Canadians, especially Gen Z, and how marketers can reach these audiences amid the evolving entertainment landscape.

This first edition of The Stream Canada, “The Stream 2026: When Intention Becomes Attention,” finds that streaming behaviours are shifting as audiences prioritize fewer platforms, seeking value through free and ad-supported content as consumers look to push back on rising subscription costs. This shift is also fueling new viewing communities, with nostalgia-driven discoveries bringing audiences back to beloved older titles, offering new communal viewing experiences and creating fandoms. As Canadians revisit familiar content and watch together, streaming is increasingly becoming a shared cultural experience that builds moments across generations.

“Canadians are taking a more intentional approach to streaming, seeking greater control over what they watch and when, and increasingly viewing ads as a fair exchange for free content,” said David Salmon, International Executive Vice President and Managing Director at Tubi. “With the launch of The Stream Canada, we’re offering new insights into the country’s evolving streaming landscape, including the growing shift toward free services and how long form entertainment continues to foster connection and community.”

Highlights from “The Stream 2026: When Intention Becomes Attention” include:

  • Canadians are becoming more intentional about their watching habits with 76% saying on-demand streaming gives them more control over what they watch and when. As they make more deliberate decisions about where to invest their time, money, and attention, 84% of Canadians agree that watching ads is a fair trade off for access to free streaming content. 79% noted that they have, or would, end a streaming subscription due to price increases, and 82% say switching to a free streaming service helps manage rising costs.
  • Streaming has re-entered the living room, not as scheduled programming, but as a shared experience among both family and friends. 75% of Canadians say they stream together with members of their household as a form of quality time, 43% primarily stream with a significant other and 52% stream with people they do not live with, including visiting friends or family.
  • Deep catalogues enable rediscovery, cross-generational viewing, and repeat engagement. In a landscape defined by constant choice, familiarity and fandoms shape viewing habits. Comedy (70%), action (64%), and crime shows/movies (63%) rank as the top 3 genres across streaming in Canada, while emerging categories are building future fan bases including independent film (40%), coming-of-age TV shows / movies (33%), and “romantasy” (31%).
  • Expansive libraries increase the likelihood that viewers discover content that introduces them to communities they want to explore. 79% say they have discovered lots of older content that is new to them from browsing streaming services, and 78% agree that streaming services should remind them of content they used to love.
  • Nostalgic content continues to attract attention but fresh, creator content is driving new viewers. As audiences discover new shows and revisit classics, 97% of Canadians express an interest in nostalgia viewing. At the same time, 63% say watching digital creator content feels no different than streaming a TV show, and 67% say digital creator content feels more original than many traditional TV shows or movies. Reflecting how viewing habits continue to evolve, 77% say they want creator and traditional content available within the same environment.
  • For many, entertainment choices function as signals and provide opportunities to explore new communities. 65% of Canadians say they feel part of a community based on the movies or shows they watch and 71% say they talk about content with others after viewing. Viewers’ favorite fandoms most commonly fall into movies (41%) and TV shows (38%).
  • Canadians are increasingly choosing to engage with brands that reflect their interests. From ad content to the broader consumer journey, such as subscriptions and retail purchases, fandoms are playing a growing role in brand loyalty. 57% of Canadians agree they are more likely to support brands when their fandoms are reflected in advertising and 67% of Canadians say they’re loyal to streaming services that support their fandoms. Fans show dedication outside of streaming as well, with Canadians purchasing apparel (45%), physical media (36%), and subscriptions (30%) to show their dedication.

 

With nearly 218,000 movies and TV episodes available in Canada, Tubi has established leadership in the Canadian market by housing the country’s largest free collection of Hollywood movies, TV Shows, creator-led stories, and Tubi Originals in the market. Designed for deep dives, hidden gems, and rabbit hole watching, Tubi delivers entertainment that feels personal, playful, and made for every fan to explore stories they love or discover new ones. Combined with fast, intuitive, hyper personalized streaming built for how Canadians actually watch content, Tubi continues to grow its share of streaming viewership. Among free ad-supported streaming services in Canada, Tubi has emerged as one of the leading platforms and offers innovative ad products to deliver measurable outcomes for brands seeking young and incremental audiences.

The Stream Canada highlights the growth of fully free streaming services in Canada. Turning data into insights, the report will continue to be released annually, breaking down the rapidly evolving AVOD landscape for marketers across the country.

For more information and to download The Stream Canada 2026: When Intention Becomes Attention please visit here.

About Tubi
Boldly built for fandom, Tubi is a free streaming service that entertains over 100 million monthly active users globally and offers one of the world’s largest collections of Hollywood movies and TV shows, alongside thousands of creator-led stories and hundreds of Tubi Originals. In Canada, the platform continues to grow as a destination for bold, fan-driven entertainment. Headquartered in Toronto and San Francisco, Tubi was founded in 2014 and is part of Tubi Media Group, a division of Fox Corporation.

Methodology
The Stream 2026 Canada Edition is based on a nationally representative online survey conducted by The Harris Poll on behalf of Tubi from November 24 to December 2, 2025, among 1,000 Canadian adults aged 18+ who stream video at least one hour per week and live in Canada.
Results were weighted to reflect national census demographics including age, gender, region, and household income. This online survey is not based on a probability sample and therefore no estimate of theoretical sampling error can be calculated.*Select qualitative commentary reflects themes observed in the U.S. edition of The Stream 2026.

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TUBI UNVEILS ANNUAL INSIGHTS REPORT TO HELP MARKETERS NAVIGATE THE EVOLVING ENTERTAINMENT LANDSCAPE IN THE STREAM 2026: WHEN INTENTION BECOMES ATTENTION

New Data from Tubi and The Harris Poll Reveals How Fandom, Nostalgia, Creators and On-Demand Environments are Reshaping Streaming and Advertising 

SAN FRANCISCO, Mar. 17, 2026 — Tubi (www.tubi.tv), Fox Corporation’s (NASDAQ: FOXA, FOX) ad-supported streaming service, today released The Stream 2026: When Intention Becomes Attention, its annual cultural insights report examining how streaming entertainment is influencing consumer behavior. Tubi, the second largest free AVOD service, partnered with The Harris Poll to conduct research providing a deep dive into the streaming behaviors of Americans, especially Gen Z, and how marketers can reach these audiences amid the evolving entertainment landscape. 

“Tubi has built a deeply engaged audience by putting fandom at the center of a premium streaming experience that is completely free,” said Cynthia Clevenger, Senior Vice President of B2B Marketing at Tubi. “This year’s insights show viewers are loyal to platforms that champion their passions, they continue to turn to nostalgia for quality storytelling and are embracing original creator-led IP. Free streaming is taking mindshare and creating a powerful opportunity by turning passion into performance as audiences actively participate in culturally resonant on-demand experiences.” 

The research finds that while streaming continues to bring people together, what and how they watch is increasingly defined by how they see themselves. Viewers report being more engaged during intentional, lean-in time on the television versus passive time scrolling social media. Fandom has evolved from interests into identity, nostalgia is driven by quality over newness, and free, ad-supported streaming is gaining momentum as consumers push back on rising subscription costs.

Highlights include:

  • Streaming remains the most engaging entertainment channel, with 90% of viewers reporting the highest levels of engagement while streaming TV shows and movies, compared with attending live events (82%) and scrolling social media (79%). On-demand streaming also holds the highest levels of attention (90%), outpacing channel-based streaming (78%) and cable or satellite (71%). Seventy-seven percent say they would rather select content on demand than tune into scheduled programming.
  • Viewing preferences are becoming more personal and community-driven. Sixty-five percent, up 15% year over year, say they feel part of a community based on the movies and shows they watch. Movies (44%) and TV shows (38%) lead fandom categories, with viewers purchasing apparel (50%), subscriptions (37%) and live experiences (30%) to demonstrate their loyalty.
  • Fandom is also influencing brand relationships. Sixty-seven percent agree they are more likely to support brands when their fandoms are reflected in advertising. Seventy-four percent say they are loyal to streaming services that support their fandoms, and 68%, up 4% year over year, say they feel seen when a platform helps them discover a new niche or emerging fandom.
  • Genre preferences show established strength in the following genres: comedy (70%), action (68%) and crime (66%), while growth opportunities are emerging in independent film (36%), coming-of-age programming (34%), young adult content (31%) and creator-led programming (31%). Demand for originality is rising: 76% would prefer original content over remakes or franchise extensions, up 12% year over year. Seventy-seven percent want diversity and representation when they stream, up 5% year over year and 9% since 2024, and 76% want more programming from independent or smaller creators. For Gen Z, 78% would prefer original content over remakes or franchise extensions and 79% want diversity and representation when they stream. 
  • Nostalgia viewing remains nearly universal, with 97% of respondents interested in watching content released more than 10 years ago. The primary driver is quality, with 63% citing superior style and storytelling as the top reason for revisiting older titles. Twenty-four percent, up 7% year over year, do so to stay engaged in cultural conversations. Seventy-nine percent believe streaming services should remind them of content they used to love, not just promote new releases, and 67%, up 6% year over year, say losing access to comfort content feels like losing part of their safe space.
  • Creator culture is playing an increasingly central role. Sixty-seven percent agree digital creator content feels more original than most traditional TV and movies, and 63% say watching creator content feels no different than streaming a TV show. Thirty-seven percent want platforms to bring existing creator content onto streaming services, 36% want creators cast in original programming and 33% want ads for creator content featured on platforms. Seventy-eight percent wish they could watch new creator content without paying an additional fee.
  • Free streaming continues to gain favor as consumers reassess subscription costs. Eighty-four percent agree watching ads is a fair trade-off for free content, up 3% year over year, and 83% say ads feel more acceptable on free platforms. Seventy-six percent would rather watch content on a free platform with ads than on a paid platform with ads, up 8% year over year. Seventy-three percent say they would prefer to watch ads and get an extra coffee each month rather than pay full price for an ad-free service, up 10% year over year and 15% since 2024.
  • Ad sentiment overall is improving, with 32%, up 14% year over year, saying they do not mind ads during streaming and 18%, up 11% year over year, saying ads enhance their experience. Seventy-eight percent say ads are more acceptable when they are relevant to their interests. Meanwhile, 74% have ended or would end a subscription due to price increases, and 54% cite password crackdowns as a key reason to cancel.
  • Why shared tastes matter in love. While 84% of respondents say it only takes a few minutes to decide what to watch when viewing alone, 58% report it takes at least 10 minutes to land on a choice with a partner. With 43% of viewers primarily streaming alongside a significant other, aligning on entertainment preferences may be more consequential than ever: 61% agree they’re more likely to date someone who shares their taste in movies and TV shows, and nearly a third (30%) say they’ve ended a relationship because their tastes were too different—an 8% increase year over year. Sixty-seven percent are unwilling to share their streaming login unless the relationship is serious.

 

As streaming approaches half of all ad-supported TV viewing, engagement is increasingly concentrating in environments where audiences actively choose what to watch. Within this shift, Tubi commands a disproportionate share of viewing, leading major streaming platforms in total minutes watched. This leadership is driven by Tubi’s free AVOD model, where 95% of viewing is intentional, on-demand consumption, unlike linear FAST channels, which skew older and rely on scheduled feeds with longer ad breaks. Tubi’s on-demand experience delivers higher attention, deeper engagement, and younger, cord-never audiences who lean in by choice, creating a premium environment for advertisers at scale.

As the #4 streamer in A18+ ad-supported reach with 100 million monthly active users, Tubi continues to gain momentum across key audiences. Streaming over a billion hours a month, Tubi offers premium original content, creator-led stories and innovative ad products to deliver measurable outcomes for brands seeking young and incremental audiences. 

Advertisers and Ad Tech Partners can expect to learn more Tuesday, March 24 from 2:00 – 4:00 p.m. during Tubi’s 2026 IAB NewFront presentation, ‘Tubitopia: An Advertiser’s Paradise,’ at Pier 59 Studios, Chelsea Piers where Tubi will showcase these unique streaming audience insights, the latest in ad tech innovation and industry-leading partnerships that help brands achieve optimal ROI.

For more information and to download The Stream 2026: When Intention Becomes Attention please visit here.

About Tubi
Boldly built for fandom, Tubi is a free streaming service that entertains over 100 million monthly active users. Tubi offers the world’s largest collection of Hollywood movies and TV shows, thousands of creator-led stories and hundreds of Tubi Originals made for the most passionate fans. Headquartered in San Francisco and founded in 2014, Tubi is part of Tubi Media Group, a division of Fox Corporation.

 

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Press Releases

What’s Coming to Tubi in March

February 27, 2026

Originals

TUBI ORIGINALS

Documentary

GONZAGA: THE SLIPPER STILL FITS (3/6):

Witness the hard work, loyalty, and humility that turned a tiny basketball program into a national powerhouse with 27 straight NCAA appearances.

Thriller 

WOMAN TO WOMAN (3/13):

When long-buried family secrets come to light, two Detroit mothers must confront a shared past to save their daughters from danger.

ROCKABYE (3/27):

Suspecting her father didn’t take his own life, a grieving woman’s hunt for the truth turns treacherous when his friends start dying one-by-one.

 

All titles below begin streaming for free on March 1 unless otherwise noted:

Series Spotlight

“Accused” – Season 2

“The Killing”

“Miami Vice”

Action

“A Breed Apart”

“A Knight’s Tale”

“Armageddon (1998)”

“Battleship”

“First Blood”

“Free Fire”

“Hitman: Agent 47”

“King Kong (’05)”

“Lara Croft Tomb Raider: The Cradle Of Life”

“Lara Croft: Tomb Raider”

“The Marine”

“Mechanic: Resurrection”

“Morbius”

“Parker (2013)”

“Priest (2011)”

“Rambo III”

“Rambo First Blood: Part III”

“Red Dawn (1984)”

“Red Dawn (2012)”

“Retribution” – 3/15

“Road House (2024)” – 3/21

“Shooter (2007)”

“Skyscraper”

“Tom Clancy’s Without Remorse”

“Uncharted”

 

Art House

“20th Century Women”

“Aftersun”

“Blindspotting (2018)”

“Close (2022)”

“C’mon C’mon”

“First Reformed”

“I Saw The TV Glow”

“Memories Of Murder” – 3/9

“Minari”

“Showing Up”

“The Bling Ring”

“The Eternal Daughter”

“The Souvenir Part I”

“When You Finish Saving The World”

 

Black Cinema

“Baby Boy”

“Belly”

“Belly 2: Millionaire Boyz Club”

“Boyz N The Hood”

“Coming 2 America”

“Coming To America”

“Diary Of A Mad Black Woman”

“Friday”

“Friday After Next”

“Hustle & Flow”

“I Got The Hook-Up

“Life”

“Madea’s Big Happy Family”

“Next Friday”

“Phat Girlz”

“Ride Along”

“Ride Along 2”

“The Great Debaters”

“The Ladies Man (2000”

“The Wash”

“Top Five”

“White Chicks”

 

Comedy 

“48 Hrs”

“9 To 5”

“About My Father”

“Anger Management” – 3/20

“Another 48 Hrs.”

“Black Sheep”

“The Bob’s Burgers Movie”

“Born In East L.A.”

“Click (2006)”

“Coneheads”

“Drop Dead Fred”

“Eddie Murphy Raw”

“Filth (2013)”

“The Great Outdoors”

“Going Places”

“I Spy”

“John Tucker Must Die”

“Marcel The Shell With Shoes On”

“A League Of Their Own (1992)”

“Real Genius”

“Snatch”

“That’s My Boy (2012)”

“The Bob’s Burgers Movie”

“The Swing Of Things”

 

Drama

“Almost Famous”

“The Aviator”

“Baby Boy”

“A Beautiful Day In The Neighborhood” – 3/2

“The Bling Ring”

“Blue Chips”

“An Education”

“Frankie & Alice”

“God’s Creatures”

“Jobs”

“The Last Of The Mohicans (1992)”

“Once Upon A Time In America”

“Queen & Slim”

“Rocketman”

“There Will Be Blood”

“War Horse”

“We Own The Night”

“The Young Victoria”

“The Zone Of Interest”

Documentary

“Amy”

“De Palma”

“Jerry Lee Lewis: Trouble In Mind”

“Oasis: Supersonic”

“Occupied City”

Horror

“The Amityville Horror (2005)”

“Anaconda: Hunt For The Blood Orchid”

“Anaconda 3: Offspring”

“Anacondas: Trail Of Blood”

“Case 39”

“Escape Room: Tournament Of Champions”

“The Exorcism Of God” – 3/15

“Exorcist: The Beginning (2004)”

“The Hole In The Ground”

“Jennifer’s Body”

“Men (2022)”

“Mirrors”

“The Monster Squad”

“Possessor” – 3/9

“Resident Evil: Damnation”

“Resident Evil: Death Island”

“Resident Evil: Degeneration”

“Resident Evil: Vendetta”

“Scouts Guide To The Zombie Apocalypse”

“Warhunt”

 

Romance

“50 First Dates”

“Ammonite”

“Bewitched (2005)”

“Brown Sugar”

“Gigli”

“Life Or Something Like It”

“Never Been Kissed”

“Sixteen Candles”

“Take This Waltz”

 

Sci-Fi & Fantasy

“Ad Astra”

“Battle: Los Angeles”

“Bicentennial Man”

“Chappie (2015)”

“The Dark Tower”

“Deja Vu”

“Ex Machina”

“Gattaca”

“The Green Knight”

“In Time”

“Jumper”

“The Princess”

“Robocop (1987)”

“Robocop (2014)”

“Robocop 2”

“Robocop 3”

 

Thriller

“Absolute Power”

“Above Suspicion”

“Black And Blue”

“Brooklyn’s Finest”

“The Captive”

“The Contractor (2022)”

“Criminal”

“The Da Vinci Code”

“Dark Places”

“Escape From Alcatraz

“Fallen”

“High Crimes”

“The Negotiator”

“The Net”

“Operation Finale”

“Premium Rush”

“Soft And Quiet”

“Street Kings”

“Trespass Against Us”

 

Western

“Bandidas”

“The Last Manhunt” – 3/18

“Woman Walks Ahead”

“Wyatt Earp’s Revenge”

JOIN THE CONVERSATION:

Twitter: @Tubi

Instagram: @Tubi

Facebook: @TubiTV

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Press Releases

TUBI EXPANDS PARTNERSHIP WITH THE BLACK LIST FOR NEW INITIATIVE

TUBI EXPANDS PARTNERSHIP WITH THE  BLACK LIST 

FOR NEW INITIATIVE

Tubi to Acquire Horror Genre Focused Screenplay Intended to be 

Produced and Distributed by Tubi 

Submissions Can be Made Beginning March 1st HERE 

 

SAN FRANCISCO, February 27, 2026 Tubi (www.tubitv.com), Fox Corporation’s (NASDAQ: FOXA, FOX) ad-supported streaming service, today announced that it has expanded its partnership with the Black List with a new initiative to provide both emerging and established writers with the opportunity to submit screenplays within the Horror genre with the intention for Tubi to produce and distribute the selected screenplay. Writers can submit their entries by visiting https://blcklst.com/tubihorrorinitiative beginning March 1, 2026 and the submission program will run through June 30, 2026.

 

The initiative to acquire a horror genre-focused screenplay comes on the heels of “Terror on Tubi,” the annual month-long streaming celebration in October, which this year drove over 100 million hours of total viewing time—a 51% increase year-over-year. The surge in audience engagement underscores Tubi’s unique strength in serving horror fandoms and reinforces the platform’s strategy to invest further in exclusive content that aligns with viewer demand.

 

“At Tubi, we’re committed to championing and expanding the boundaries of genre storytelling,” said Adam Lewinson, Chief Content Officer at Tubi. “Horror is one of the most-watched genres on Tubi, offering a vast creative playground with a deeply passionate fanbase that continues to grow. With our ongoing partnership with The Black List, we look forward to finding a standout script that speaks to horror fans who know and love this genre.”

 

“We’ve seen again and again that when a smart, character-driven horror script meets the right partners, the results can be seismic,” said Black List founder Franklin Leonard. “Extending our work with Tubi into a dedicated horror initiative feels like the natural next step in our partnership. I’m excited for Tubi’s audience to discover a film that began the way so many of the industry’s favorite projects do, as a script on the Black List website.”

 

With over 100 million monthly active users and fans streaming 1 billion streaming hours per month, Tubi offers viewers the world’s largest content library, which now exceeds more than 300,000 movies and TV episodes, thousands of creator-led stories and hundreds of Tubi Originals made for the most passionate fans.

 

The Black List will executive produce the chosen film and will be collaborating closely with Tubi throughout the entirety of the program. Writers around the world over the age of 18 are welcome to submit their work, but all submitted scripts must be in English. Any script that is hosted on the Black List and has received at least one evaluation is eligible for submission. Writers are also welcome to upload new projects for consideration in this program.

Tubi will also be providing fee waivers for one evaluation and one month of hosting for 100 writers. Additional details about how to apply for a Tubi fee waiver will be available on the program submission page on https://blcklst.com/. All fee waivers will be distributed at the discretion of Tubi and the Black List.

After submissions close, a committee of Tubi content executives will come together to review the scripts and announce the screenplay that will be moving forward. 

For FAQ surrounding the submission process and guidelines please visit https://blcklst.com/tubihorrorinitiative.

About Tubi
Boldly built for fandom, Tubi is a free on demand streaming service that entertains over 100 million monthly active users. Tubi offers the world’s largest collection of Hollywood movies and TV shows, thousands of creator-led stories and hundreds of Tubi Originals made for the most passionate fans. Headquartered in San Francisco and founded in 2014, Tubi is part of Tubi Media Group, a division of Fox Corporation.

About The Black List
The Black List is a renowned platform dedicated to nurturing written storytelling and empowering writers to maximize their professional potential. First established in 2005 as an annual survey of Hollywood’s most-liked unproduced screenplays, the Black List has since grown into a comprehensive resource for the creative industries, serving thousands of agents, managers, showrunners, producers, financiers, directors, actors, and theater directors. Our virtual marketplace, blcklst.com, caters to the film, television, and theater industries, connecting writers from over 50 countries with industry members from around the globe.

 

For media inquiries, please contact: 

 

Andrea Lamelas alamelas@tubi.tv 

Kate Hagen kate@blcklst.com 

###

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Press Releases

TUBI EXPANDS TETON RIDGE ENTERTAINMENT PARTNERSHIP  WITH NEW SPORTS DOCUMENTARY FILM  “GONZAGA: THE SLIPPER STILL FITS” 

February 26, 2026

Produced by Words + Pictures the Feature-Length Film Highlighting Head Coach Mark Few and the Gonzaga Bulldogs Program Premieres March 6 Exclusively on Tubi 

See the Full Trailer HERE

SAN FRANCISCO, February 25, 2026 – Tubi (www.tubi.tv), Fox Corporation’s (NASDAQ: FOXA, FOX) free ad-supported streaming service, today announced the debut of sports documentary GONZAGA: THE SLIPPER STILL FITS as part of its exclusive partnership with Teton Ridge Entertainment. The documentary features a close look at one of college basketball’s most impressive programs, focusing on the perennial Cinderella team that has become a powerhouse. The documentary premieres on Friday, March 6 as a Tubi Original.

The feature-length film is fueled by Gonzaga head coach Mark Few’s relentless intensity and showcases how the Gonzaga Bulldogs turn their underdog players into NBA stars. The feature-length documentary also traces the history of Gonzaga basketball and the university’s commitment to hard work, loyalty and humility growing from a small college program to a national powerhouse. GONZAGA: THE SLIPPER STILL FITS is directed by Emmy winner David Check. 

“We’re thrilled to expand our partnership with Teton Ridge Entertainment with GONZAGA: THE SLIPPER STILL FITS,” said Sam Harowitz, SVP of Content Acquisitions and Partnerships at Tubi. “The Gonzaga story resonates beyond the court and has the power to shape culture, and we’re proud to bring Coach Few’s remarkable legacy to our audience with this compelling documentary.”

GONZAGA: THE SLIPPER STILL FITS will include interviews with notable Gonzaga alumni active in the NBA, including 2025 NBA Champion Chet Holmgren (OKC), Andrew Nembhard (IND), Jalen Suggs (ORL) and Domantas Sabonis (SAC). Additional featured talent includes: Few, former professional basketball player and current Golden State Warriors head coach Steve Kerr, former professional basketball player Adam Morrison and former professional basketball player John Stockton.

“At Teton Ridge Entertainment, we look for stories that reveal something bigger about who we are. We saw that in Gonzaga – a program built on grit, humility and an unshakable belief that where you come from doesn’t define where you end up. Working with Tubi, we’ve created a documentary that captures that spirit,” said Jillian Share, President, Teton Ridge Entertainment.

“I’ve had the joy of collaborating with Thomas on a number of projects, including our baseball doc FASTBALL and the welcome film at the Baseball Hall of Fame,” said Jonathan Hock, Executive Producer at Words + Pictures. “Thomas is a true believer in the power of sports stories and what they reveal about our highest aspirations, and he picked a perfect subject in Gonzaga and their coach Mark Few.”

The film is produced by visionary investor and business leader Thomas Tull, and executive produced by Jillian Share, Josh Miller, Word and Pictures’ Connor Schell, Jonathan Hock, Libby Geist, and Alexa Conway. GONZAGA: THE SLIPPER STILL FITS is a production of Teton Ridge Entertainment and Words and Pictures. The deal was brokered by Josh Miller and Jessica McCourt on behalf of Teton Ridge Entertainment and Ian Nelson at Tubi.

Tubi, Teton Ridge Entertainment and Words + Pictures previously partnered on THE MOMENT, a documentary following the explosive growth of women’s basketball over the past half-century, from directors Kristen Lappas and Sarah Springer that debuted exclusively on Tubi, February 6th

About Tubi
Boldly built for fandom, Tubi is a free streaming service that entertains over 100 million monthly active users. Tubi offers the world’s largest collection of Hollywood movies and TV shows, thousands of creator-led stories and hundreds of Tubi Originals made for the most passionate fans. Headquartered in San Francisco and founded in 2014, Tubi is part of Tubi Media Group, a division of Fox Corporation.

About Teton Ridge Entertainment
Through film and television, Teton Ridge Entertainment creates stories that celebrate the spirit of the American West and all that it represents. It is a division of Teton Ridge, which comprises Americana-focused properties in the sports, media, entertainment and lifestyle spaces. Teton Ridge Entertainment is owned by TWG Global, a diversified holding company that invests in and operates businesses across financial services, AI, technology, power, merchant banking and sports, media & entertainment and delivers an embedded AI infrastructure that drives transformation and growth across the portfolio. TWG Global is co-chaired by Mark Walter and Thomas Tull, who launched Teton Ridge in 2019 with support from investors including Jim Breyer and the Lee Bass Family Office.

About Words + Pictures
Words + Pictures is an award-winning multi-platform storytelling studio creating premium content at the intersection of entertainment, sports, and culture.  Founded by Connor Schell and part of The North Road Company,  W+P focuses on powerful, character-centered narratives, partnering with leading platforms, global brands, and cultural icons to deliver stories that resonate on screen and across generations. From groundbreaking documentary series to original formats and branded storytelling, Words + Pictures is redefining how true stories are told and shared in today’s media landscape. 

 

 

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Press Releases

TUBI UK LEADS EUROPE’S FREE AD-SUPPORTED STREAMING PLATFORMS WITH FASTEST CATALOGUE GROWTH

February 5, 2026

Ampere Analysis Reveals Tubi’s UK Saw Fastest Catalogue Growth with Nearly 75,000 Movies and TV Episodes Now Available to Stream

Tubi’s Expanded Catalogue Bolstered by Premium Content Partnerships, 

New Originals and CTV Distribution

LONDON, 5 FEBRUARY 2026 — Tubi (www.tubi.tv), Fox Corporation’s (NASDAQ: FOXA, FOX) ad-supported streaming service, today announced Tubi UK leads Europe’s free ad-supported streaming platforms with fastest catalogue growth, per new findings from Ampere Analysis. The milestone comes 18 months after the platform’s UK launch and marks significant momentum for Tubi’s global expansion.

Ampere’s most recent data shows in 2025, free ad-supported video on-demand platforms (AVOD) led global catalogue growth, outpacing subscription video-on-demand (SVOD) services, with Tubi’s UK offering emerging as a key growth driver. 

“We are thrilled by the accelerated growth we’ve seen in our first 18 months in the UK,” said Ross Appleton, Head of Tubi UK. “Tubi’s free and premium library is reaching incremental, younger audiences and proving there is strong demand for an ad-supported model in this highly competitive market.”

Since launching in 2024, Tubi UK has tripled its content offering to nearly 75,000 movies and TV episodes, delivering the largest collection of free movies and TV episodes in the UK (Ampere). Tubi’s scale of content to create deeper discovery opportunities is resonating with hard-to-reach audiences: over half of Tubi’s UK viewers are Gen Z or Millennials (51%), according to a 2025 YouGov survey. 

Tubi’s library combines premium Hollywood blockbusters and fan-favourite series from studio partners such as AMC Networks, Lionsgate, NBCUniversal, New Regency and Sony Pictures Entertainment, with a uniquely curated offering of deep-cut films and cult TV hits, making it a destination for both fans and cinephiles alike. From hit franchises to under-the-radar gems across genres like thriller, comedy, horror, romance and sci-fi, Tubi offers unmatched choice at no cost to the viewer.

Tubi’s slate of Originals launching in the UK continues to attract new audiences. In November, Sidelined 2: Intercepted, the sequel to Sidelined: The QB and Me, debuted at #1 on Tubi in the UK, where it brought in over 50% new viewers to the platform, and drew in a median viewer age of 23. Audiences can also now stream How to Lose a Popularity Contest with the upcoming movie Kissing is the Easy Part to premiere in time for Valentine’s Day on 13 February.

Tubi recently deepened its household reach across the UK through new distribution and advertising partnerships. A recent integration with Virgin Media TV expanded Tubi’s availability to 21 devices and millions more homes. Additionally, a strategic collaboration with Titan OS grants Titan exclusive access to Tubi’s premium connected TV (CTV) ad inventory in the UK, bringing Tubi to Titan OS-powered smart TVs including Philips and JVC models. Today, more than 4 out of 5 Tubi UK viewers watch via connected TV screens.  

This autumn, the platform also introduced a new slate of over 30 FAST (free ad-supported streaming TV) Channels in the UK, featuring programming from Banijay, A+E Global Media and Lionsgate, providing the option of a lean-back experience. These linear channels complement video-on-demand which remains the primary means of engagement for viewers on Tubi. With over 100 million monthly active users globally and more than 1 billion hours of content each month, 95% of viewing on Tubi is video-on-demand.

Tubi launched in the UK July 2024 and today’s announcement builds upon Tubi’s continued momentum as a platform where premium content, culture, and innovation converge. 

About Tubi
Boldly built for fandom, Tubi is a free on demand streaming service that entertains over 100 million monthly active users. Tubi offers the world’s largest collection of Hollywood movies and TV shows, thousands of creator-led stories and hundreds of Tubi Originals made for the most passionate fans. Headquartered in San Francisco and founded in 2014, Tubi is part of Tubi Media Group, a division of Fox Corporation.

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Press Releases

Tubi And Nielsen Expand Strategic Streaming Measurement And Intelligence Partnership, Revealing Addressable Reach For Advertisers For First Time

 

 

Tubi Unlocks Access to Nielsen’s Streaming Ratings Confirming Its

 Rank as the #1 Fully Free, Fully Ad-Supported Streaming Service, the #2 Free AVOD Platform in A18+ Reach and the #4 Streamer in 18+ Ad-Supported Reach

Tubi Outperforms All Broadcast and Cable in Ad-Supported Minutes Watched in A18-49

San Francisco, February 5, 2026 – Tubi (www.tubitv.com), Fox Corporation’s (NASDAQ: FOXA, FOX) ad-supported streaming service, and Nielsen, a global leader in audience measurement, data, and marketing intelligence, today announced expanded strategic measurement as part of a new, multiyear partnership. Tubi now has access to Nielsen’s Audience Measurement and Streaming Platform Ratings, a comprehensive view of how audiences engage with both subscription and ad-supported streaming services. Additionally, Tubi can access Nielsen’s National TV research and Ad Intel. This complements the longstanding integration Tubi and Nielsen have had with Nielsen’s Digital Ad Ratings and Nielsen ONE Ads. Combined, Nielsen’s services help Tubi and advertisers make more informed decisions across each piece of media planning, workflows and execution. 

KEY INSIGHTS FOR ADVERTISERS INCLUDE: 

  • Tubi ranks as the #1 Fully Free, Fully Ad-Supported Streaming Service, the #2 Free AVOD Platform in A18+ reach and the #4 Streamer in A18+ ad-supported reach.
  • In Q4 2025, ad-supported streaming accounted for 45.6% of all ad-supported TV viewing, with 6.2% of total ad-supported streaming attributed to Tubi (Nielsen’s Ad-Supported Gauge). 
  • Tubi is a top 5 ad-supported streamer in reach among Gen Z and #3 in A18-49 Multicultural time spent according to Nielsen.  
  • Tubi outperforms all broadcast and cable in ad-supported minutes watched in A18-49. 
  • In the 5 years between Nov 2020 and Nov 2025, Tubi’s Person’s 18-49 and Person’s 25-54 audiences have grown tenfold (P18-49 +973%, P25-54 +885%). 

 

“In the battle for attention, Nielsen’s 3P data shows Tubi is taking share and redefining streaming for audiences and advertisers with viewership that represents the scale, influence and purchasing power of the next generation,” said Jeff Lucas, Chief Revenue Officer of Tubi. “We are growing engagement faster today than the last 7 quarters and have built a platform that is busting myths that free isn’t premium. Tubi is delivering passionate fandoms for advertisers while giving our audience a deeply personalized, culturally resonant, totally free streaming experience they can’t find anywhere else.”

“We are thrilled to expand our partnership with Tubi, as we are both paving the way for the continued growth of ad-supported streaming,” said Garrett Jamison, Nielsen SVP of National Partnerships. “Tubi excels at bringing audiences to their platform and we have the unique ability to measure those audiences and provide compelling intel for advertisers.”

As streaming approaches half of all ad-supported TV viewing, engagement is increasingly concentrating in environments where audiences actively choose what to watch. Within this shift, Tubi commands a disproportionate share of viewing, leading major streaming platforms in total minutes watched. This leadership is driven by Tubi’s free AVOD model, where 95% of viewing is intentional, on-demand consumption, unlike linear FAST channels, which skew older and rely on scheduled feeds with longer ad breaks. Tubi’s on-demand experience delivers higher attention, deeper engagement, and younger, cord-never audiences who lean in by choice, creating a premium environment for advertisers at scale.

Nielsen is the leader in streaming TV measurement and marketing intelligence. In the typical month, Nielsen measures more than 1 trillion minutes of viewing across all streaming apps. Its weekly and monthly streaming rankers – the Nielsen Streaming Top 10, The Gauge and The Media Distributor Gauge – are sources of truth for the TV industry.  

Advertisers and Ad Tech Partners can expect to learn more Tuesday, March 24 from 2:00 – 4:00 p.m. during Tubi’s 2026 IAB NewFront presentation, ‘Tubitopia: An Advertiser’s Paradise,’ at Pier 59 Studios, Chelsea Piers where Tubi will showcase unique streaming audience insights, the latest in ad tech innovation and industry-leading partnerships that help brands achieve optimal ROI.

 

About Tubi

Boldly built for fandom, Tubi is a free on demand streaming service that entertains over 100 million monthly active users. Tubi offers the world’s largest collection of Hollywood movies and TV shows, thousands of creator-led stories and hundreds of Tubi Originals made for the most passionate fans. Headquartered in San Francisco and founded in 2014, Tubi is part of Tubi Media Group, a division of Fox Corporation.

About Nielsen

Nielsen is a global leader in audience measurement, data and analytics. Through our understanding of people and their behaviors across all channels and platforms, we empower our clients with independent and actionable intelligence so they can connect and engage with their global audiences—now and into the future. Learn more at www.nielsen.com and connect with us on social media (X, LinkedIn, YouTube, Facebook and Instagram).

Contacts

Seana Sullivan, Tubi Communications

ssullivan@tubi.tv 

Jake Urbanski, Nielsen Communications

Jake.Urbanski@nielsen.com 

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Press Releases

What’s Coming to Tubi in February

January 27, 2026

Originals

TUBI ORIGINALS

KISSING IS THE EASY PART
 Premiering February 13, 2026

Sean’s desperate for MIT. Flora’s ditching the SAT. A secret deal with her tenured parents sparks a romance that challenges everything they believe in.

Thriller 

THE BACHELORETTE (2/6):

A bachelorette getaway turns deadly when persistent tensions ignite chilling threats.

UNREQUITED  (2/20):

A hotel maid with a shadowed past falls for her handsome but taken coworker, unwittingly stepping into a dangerous game of desire and betrayal.

 

All titles below begin streaming for free on February 1 unless otherwise noted:

Series Spotlight

“Bordertown”

Gang Related

“Grand Hotel”

“Marvel’s Runaways”

“Step Up: Highwater”

Action

“The Beekeeper”

“Charlie’s Angels”

“Charlie’s Angels: Full Throttle”

“The Commuter”

“Die Hard”

“Guy Ritchie’s The Covenant”

“The Italian Job (2003)”

“Jurassic World”

“Jurassic World: Fallen Kingdom”

“Live Free or Die Hard”

“Midway”

“Raw Deal”

“Shaft”

“Taken (2008)”

“Taken 2”

“Taken 3”

“White House Down”

 

Art House

“The Art of Self-Defense”

”American Honey”

“A Ghost Story”

“Bones And All”

“Hot Summer Nights”

“Laggies”

“Locke”

“Menashe”

“Oldboy” – 2/9

“Red Rocket”

The Souvenir: Part II”

“Spring Breakers”

“Stars At Noon”

“Under The Silver Lake”

“Waves”

“You Hurt My Feelings”

 

Black Cinema

“B.A.P.S.”

“Beverly Hills Cop”

“Beverly Hills Cop II”

“Blue Streak”

“Menace II Society”

“Miles Ahead”

“Native Son”

“The Player’s Club”

“Pootie Tang”

“Proud Mary”

“Soul Power”

“The Inspection”

 

Comedy 

“A Knight’s Tale”

“A Very Brady Sequel”

“Be Cool”

“Bill & Ted Face the Music”

“Brigsby Bear”

“Chef” – 1/2

“Dicks: The Musical”

“Extract”

“Get Shorty”

“Ishtar”

“Pain & Gain

“Playing for Keeps”

“Shampoo”

“Spaceballs”

“Step Brothers”

“The Brady Bunch Movie”

“The Cable Guy”

“The People We Hate at the Wedding”

“The Whole Nine Yards”

“Three Amigos!”

“Zoolander”

 

Crime/True Crime

“Believe Me: The Abduction of Lisa McVey”

“Danger in the Dorm”

“Gone Mom: The Disappearance of Jennifer Dulos”

“His Secret Marriage”

“Mistress Hunter”

“Mommy Is a Murderer”

“My Doctor’s Secret Life”

“My Nanny Stole My Life”

“Swindler Seduction”

“Terror in the Woods”

“The Bad Guardian”

“The Beach House Murders”

“The Ice Rink Murders”

“The Killer Inside: The Ruth Finley Story”

“The Lost Wife of Robert Durst”

“The Lover in the Attic: A True Story”

“The Wrong Boy Next Door”

“The Wrong Life Coach”

 

Drama

“American History X”

“Before Midnight”

“Being The Ricardos”

“Cadillac Records”

“Call Me by Your Name”

“Country Strong”

“Detroit”

“Dreamgirls”

“Flight”

“Invincible”

“Joe”

“Kiss the Girls”

“Lean on Me”

“The Lincoln Lawyer”

“Medieval”

“Mississippi Grind”

“One Night In Miami”

“Radio”

“Roman J. Israel, Esq.”

“Safe Haven”

“Saturday Night Fever”

“Save the Last Dance”

“Selma”

“Thelma & Louise”

“Togo”

 

Horror

“Anaconda”

“Climax”

“Dark Harvest (2023)”

“Escape Room (2019)”

“The Fly”

“Green Room”

“The Hills Have Eyes (2006)”

“In Fabric”

“Insidious: The Last Key”

“Secret Window”

“Slayers”

“Tusk”

“When A Stranger Calls”

 

Kids & Family

“Akeelah and the Bee”

“The Angry Birds Movie 2”

“Dr. Seuss’ Horton Hears a Who! (2008)”

“Meet Dave”

“Open Season (2006)”

“Open Season 2”

“Rio”

“Secondhand Lions”

“Spy Kids”

“Spy Kids 2: The Island of Lost Dreams”

“Spy Kids 3-D: Game Over”

 

Romance

“The Best of Me”

“The Best of Me (Spanish)”

“Can’t Buy Me Love (1987)”

“Dirty Dancing”

“Dirty Dancing 2: Havana Nights”

“Forever Young”

“Grand Hotel”

“The Holiday (2006)”

“Hope Floats”

“How Do You Know”

“How to Lose a Guy in 10 Days”

“The Last Song”

“I Love You, Beth Cooper”

“The Lucky One”

“Midnight In Paris”

“The Proposal (2009)”

“Something’s Gotta Give (2003)”

“The Sun Is Also A Star”

“The Sweetest Thing”

“West Side Story (2021)”

“While You Were Sleeping”

“Win a Date with Tad Hamilton!”

 

Sci-Fi & Fantasy

“The 5th Wave”

“A.I. Artificial Intelligence”

“The Abyss”

“After Yang”

“Equals”

“Hercules (2014)”

“The Legend Of Hercules”

“The Mortal Instruments”

“Real Steel”

“Save Yourselves!”

 

Thriller

“All Souls”

“Cut Bank”

“Eyes Wide Shut”

“The Girl with the Dragon Tattoo (2011)”

“I Am Wrath”

“Infinite Storm”

“Killer Joe”

“Obsessed”

“Takers (2010)”

“True Romance”

“Unrequited”

“You Better Watch Out”

 

Western

“A Fistful of Dollars”

“All The Pretty Horses”

“American Outlaws”

“Apache Junction”

“For a Few Dollars More”

“The Good, the Bad and the Ugly”

“The Missing (2003)”

“Treasure Of The Sierra Madre”

“Woman Walks Ahead”

 

JOIN THE CONVERSATION:

Twitter: @Tubi

Instagram: @Tubi

Facebook: @TubiTV

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Press Releases

What’s Coming to Tubi in January

December 28, 2025

Originals

TUBI ORIGINALS

Your new favorite Rom-Com, starring Sara Waisglass and Chase Hudson,  premieres next month

HOW TO LOSE A POPULARITY CONTEST
 Premiering January 16, 2026

Overachiever Ellie teams with slacker Nate to sabotage her ex in the class election, but unexpected sparks threaten her meticulously laid plans.

  • TikTok Star Terri Joe is coming to Tubi!

TERRI JOE: MISSIONARY IN MIAMI-
Premiering January 30, 2026 

In this wild farce, Southern Belle Terri Joe ventures to Miami to outrun wacky criminals and find a new church where she can atone for her sins.

Horror 

DEATH NAME  (1/9):

A young Korean American woman yearns to learn more about her heritage, not knowing the further she digs, the more she reawakens a deadly family curse.

Thriller 

BROKEN BONDS (1/2):

After witnessing a fatal shootout, three struggling waitresses hide a bag of illicit cash, forcing them into a perilous web of betrayal and survival.

TWIN (1/23):

Fresh out of prison for murder, a ruthless woman schemes to replace her twin sister and claim her flawless life by any means necessary.

 

All titles below begin streaming for free on January 1 unless otherwise noted:

Series Spotlight

“All About The Andersons” -12/3

“Community” – Seasons 1 & 2

“Harry And The Hendersons” – 12/20

“Married… With Children”

“Murphy Brown (2018)”- Season 1 – 12/8

“The Dana Carvey Show” – 1/15

 

Action

“Assassins”

“Battle Royale”

“Blacklight”

“Braven”

“Cradle 2 the Grave”

“Erased”

“Geostorm”

“Ghost Rider”

“Ghost Rider: Spirit Of Vengeance

“Kung Fu Hustle”

One More Shot”

“S.W.A.T.”

“Sicario: Day of the Soldado”

“The Commando”

“The Equalizer”

“The Equalizer 2”

“Transporter 3”

“Walking Tall”

 

Art House

“Biutiful”

“Black Bear”

“Love Lies Bleeding”

“The Last Black Man in San Francisco”

“Mona Lisa and the Blood Moon”

“Pi”

“Problemista”
“Run Lola Run”

“Stop Making Sense”

“Stories We Tell”

“Women Talking”

 

Black Cinema

“B.A.P.S.”

“Beverly Hills Cop”

“Beverly Hills Cop II”

“Blue Streak”
“Menace II Society”

“Miles Ahead”

“Native Son”

“The Player’s Club”

“Pootie Tang”

“Proud Mary”

“Soul Power”

“The Inspection”

 

Comedy 

“A Knight’s Tale”

“A Very Brady Sequel”

“Be Cool”

“Bill & Ted Face the Music”

“Brigsby Bear”

“Chef” – 1/2

“Dicks: The Musical”

“Extract”

“Get Shorty”

“Ishtar”

“Pain & Gain

“Playing for Keeps”

“Shampoo”

“Spaceballs”

“Step Brothers”

“The Brady Bunch Movie”

“The Cable Guy”

“The People We Hate at the Wedding”

“The Whole Nine Yards”

“Three Amigos!”

“Zoolander”

 

Crime/True Crime

“Believe Me: The Abduction of Lisa McVey”

“Danger in the Dorm”

“Gone Mom: The Disappearance of Jennifer Dulos”

“His Secret Marriage”

“Mistress Hunter”

“Mommy Is a Murderer”

“My Doctor’s Secret Life”

“My Nanny Stole My Life”

“Swindler Seduction”

“Terror in the Woods”

“The Bad Guardian”

“The Beach House Murders”

“The Ice Rink Murders”

“The Killer Inside: The Ruth Finley Story”

“The Lost Wife of Robert Durst”

“The Lover in the Attic: A True Story”

“The Wrong Boy Next Door”

“The Wrong Life Coach”

 

Drama

“Awakenings”

“Dog Day Afternoon”

“Driving Miss Daisy”

“Five Easy PIeces”

“Foxcatcher”

“Ghosts of Mississippi”

“Pollock”

“Pulp Fiction”

“Raging Bull”

“Rain Man”

“Rounders”

“Selena”

“Skin”

“The Big Chill”

“The Burial”

“The Imitation Game”

“The People Vs. Larry Flynt”

“Two Lovers”

“Warrior Strong”

 

Horror

“Black Rock”

“Brightburn”

“Cobweb”

“Evil Dead (2013)”

“Hereditary”

“It Comes At Night”

“Pearl”

“Piranha 3-D”

“Piranha DD”

“Silent Hill: Revelation”  – 1/9

“Sorority Row”

“Talk to Me”

“The Amityville Horror”

“The Beast Within”

“The Blackcoat’s Daughter”

“The Cabin in the Woods”

“The Crazies”

“What Lies Beneath”
“X”

Kids & Family

“Bandslam”

“Earth to Echo”

“Jumanji (1995)”

“Planet 51”

“The Ant Bully”

“Where The Wild Things Are”

 

Romance

“Ghost”

“Home Again”

“Rumor Has It”

“Somebody I Used To Know”

“They Came Together”

“You’ve Got Mail”

Sci-Fi & Fantasy

“Arrival”

“Deep Impact”

“Equilibrium”

“Galaxy Quest”

“Godzilla (1998)”

“I, Frankenstein”

“Jupiter Ascending”

“Lady In The Water”

“Men In Black”

Men In Black II”

“Men In Black 3”

“Minority Report”

“Prey”

“Push”

“The Fifth Element”

“War of the Worlds”

 

Thriller

“88 Minutes”

“Agent Game”

“All the Old Knives”

“Basic”

“Cleaner”

“Collateral”

“Double Jeopardy (1999)”

“In the Cut”

“In the Line of Fire”

“Law Abiding Citizen”

“Mulholland Drive”

“Murder at 1600”

“Panama”

“Tell No One (2006)”

“The Frozen Ground”

“The Peacemaker”

“The Report”

“Training Day”

“Unhinged”

“Wicked”

 

Western

“A Fistful of Dollars”

“All The Pretty Horses”

“American Outlaws”

“Apache Junction”

“For a Few Dollars More”

“The Good, the Bad and the Ugly”

“The Missing (2003)”

“Treasure Of The Sierra Madre”

“Woman Walks Ahead”

 

JOIN THE CONVERSATION:

Twitter: @Tubi

Instagram: @Tubi

Facebook: @TubiTV

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